If I can train my mind to be empty In that emptiness will prevail Silence All shooting stars entering my domain Gravitated from beyond Gravity Will I be then aware of in that void That great absence of thought traffic Give me the power through Your Grace O Lord, that I can attain to no-mind Yet,... Sign in to see full entry.
Knowledge undigested, is Pride ”I know” Says the Ego Digested knowledge, Egoless Is a transformation From “I” to “I-lessness” - “I don’t know” Says Humility But the journey to Wisdom The transcendence, t he ascendance Is fraught with dangers and distensions Sign in to see full entry.
My desire is very simple All I want is everything, ample The flowering of my consciousness The being of my self, in Is-ness Knowing which, I will know all The be-all and the end-all Of all that is Sign in to see full entry.
(Since we were on the subject of Tragedy the last few days, today it’s a sort of winding up the topic to a close). Aristotle states that the tragic hero is “a man not pre-eminently virtuous and just, whose misfortune, however, is brought upon him not by vice or depravity, but by some personal... Sign in to see full entry.
The specific function of Tragedy, says Aristotle, is the purgation of the emotions of pity and fear, unhealthy conditions of the soul, by the excitation of those emotions. The term “purgation” (Catharsis) has been variously interpreted. Often it has been taken to mean a moral effect brought about by... Sign in to see full entry.
(Certain terms would be better understood if read in the context of my yesterday's post). According to Aristotle, Tragedy is composed of (a) Plot, Character and Thought, which concern the object represented, (b) Diction and Melody, which concern the means of representation, and (c) Spectacle, which... Sign in to see full entry.
“Among the constituent parts of Tragedy, the prime importance is of the Plot” says Aristotle in his Poetics, adding that the “most powerful elements of attraction in Tragedy, the Peripeteia and Discovery, are parts of the Plot”. He defines Peripeteia as: “the change from one state of things within... Sign in to see full entry.
Born about half a century BC, the Roman poet Horace is one of the distinguished exponents of the classical school of criticism. Interestingly, the son of a slave, Horace was also a soldier who served under the leadership of General Brutus, after Julius Caesar's assassination. He believed that great... Sign in to see full entry.
In “ Postscript” Walter Peter examines the meaning of two words “classical” and “romantic” which, though commonly used, have resisted any precise meaning. The words “classical” and “romantic” define two tendencies in art and literature. But as the term “classical” has been used in a merely... Sign in to see full entry.
Love is intrinsic to human nature, inherent in man It is there already, but dormant; all it needs Done is to awaken, uncover it, not acquire From without but unearth its source within Deep inside the earth connected is the sea, Oceans of riverine waters of life, unseen Effort is only to remove the... Sign in to see full entry.