(Excuse me for verbosity... they run to almost 800 words). In Aeschylus’ Eumenides, soon after the murder of Clytemnestra by her son Orestes he, plagued by the Furies, seeks aid at the temple Apollo in Delphi. The Pythian high priestess (Pythia is the priestess of Apollo at Delphi who delivers the... Sign in to see full entry.
In Aeschylus’ Choephoroe, while mourning at Agamemnon’s tomb, Orestes swore to avenge his father’s murder and with his sister Electra, worked out a plan for killing Aegisthus and Clytemnestra. Orestes and his friend Pylades, disguised, appear at the door of the palace and ask to see Clytemnestra.... Sign in to see full entry.
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The Choëphoroe, or Libation-Bearers, is the second play of the trilogy - Agamemnon, Choëphoroe, Eumenides. The first gives the murder of Agamemnon by his wife Clytemnestra and her lover Aegisthus, son of Thyestes and his daughter Pelopia ( Sidelight: Pelopia had discovered that it was her father who... Sign in to see full entry.
Aeschylus’ Agamemnon is the story of a hereditary blood-feud. It deals with only the middle phase in the gruesome happenings which span three generations. In the opening scene Agamemnon returns to his kingdom in triumph after the fall of Troy. Already Clytemnestra had shown her masculine efficiency... Sign in to see full entry.
( Aeschylus’ “The Orestia” is a tale of gore, technically a tragedy but it does not end purely in hopelessness, but on an upbeat note. The modern readers may be surprised because in ancient Athens the term “tragedy” did not carry its modern meaning and many of the tragedies do end on a positive... Sign in to see full entry.
I hope that this will match with UKUSA's train of thoughts. RPresta wished a continuation. Faustus’ great final soliloquy marks the tragic consummation of the play. In fear we accept the littleness and powerlessness of man, and in pity, we share his sufferings and sympathies with his appeals. In the... Sign in to see full entry.
Today I've attempted to answer thoughtful queries raised by RPresta and UKUSA. Not conforming so much from the biblical or religious point of view, as from the author's. Marlowe was an embodiment of the Renaissance spirit. He prided himself on his paganism, his rebellion against Roman Catholicism,... Sign in to see full entry.
The subject of Dr Faustus is the progress of a man’s soul to perdition. It is a pilgrim’s progress in reverse. Marlowe underwent early loss of religious faith. His faith was shattered by intellectual awakening in the atmosphere of religious dissension at Cambridge where Marlowe, like Faustus at... Sign in to see full entry.
Pregnant black clouds gathered that night And rains came in with torrential pour My day’s work done and the last guest gone I locked the door. Knock, knock! Who's there! Someone groggy, or poor? Weary and trodden, I ignored peeping through the door None can at this ungodly hour be my guest 'Come',... Sign in to see full entry.